| October 31, 2008 | ||
| 11:00 am | to | 5:15 pm |
Friday October 31st – Production and Technology
Registration at 10am: Buy your tickets at www.cuff.org or buy them at the door
Panel 1
11:00 to 12:30 TUG
Anatomy of a Red Camera Project
Moderator: Tom Fletcher (Fletcher Camera)
Hopwood DePree, Christina Varotsis, Adam Stone
Steven Soderbergh calls it the camera he has been waiting for his whole career. Fresh from the recently wrapped production of the low budget feature film Tug, which was filmed in Holland, Michigan using the Red Camera, cinematographer Adam Stone, producers Hopwood Dupree and Christina Varotsis, and Tom Fletcher from Fletcher Camera will examine the practical considerations involved in using the camera touted by Wired Magazine to be the first digital camera that matches the detail and richness of analog film.
Panel 2
12:45 to 2:15
The Digital Intermediate Workflow
Moderator: Ericka Frederick (Kodak)
Carol Schaffner (Astro), Scott Stevens (Kodak), Charlie Langrall (Filmworkers Club) and Mike Matusek (Nolo Digital Film)
Digital intermediate (DI) technology is evolving as an exciting creative tool for filmmakers in both the independent and big-budget arenas. Learn from the front lines of the DI process how to push the envelope and get all the benefits of digital tools for designing the visual palette of your film, while reducing costs and enhancing the quality of the viewing experience. Industry experts show how the digital intermediate process can empower filmmakers at all budget levels, both creatively and financially.
Panel 3
2:30 to 3:45
Music and Sound Design
Moderator: Mark Messing (Maestro-Matic)
Randy Bobo (Spirit Award Winner “Sweetland”), Lou Mallozzi (Experimental Sound Studio), Liz Storm (Movie Trax)
Low budget filmmakers cannot underestimate the importance of music and sound design in enhancing the movie going experience. In this discussion music supervisors, sound designers and composers will treat us to some of their tricks and secrets that can help overcome the limitations of budget and will look at some of the rights and licensing issues involved in the use of music in movies.
Panel 4
4:00 to 5:15
“Night Tide” Case Study
Moderator: Bryan Wendorf (CUFF Festival Director)
Edward Crouse, Mark Toscano
This panel will examine the adventuresome, macabre and quirky filmography of filmmaker Curtis Harrington. It will also look at the process involved in the restoration of “Night Tide,” Harrington’s fiendishly cultish 1961 tale starring Dennis Hopper in his first film role as sailor Johnny Drake about a dark romance between a sailor and a sideshow performer, who just may be a murderous mermaid.
Break-out Session
3:00
Kodak
A mini session with Ericka Frederick and Scott Stevens of Kodak who will discuss the latest developments in Kodak film stock with emphasis on the low budget and experimental filmmaker.