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	<title>IFP Chicago &#124; Independent Feature Project &#124; Midwest Filmmakers &#187; Fiscal Sponsorship</title>
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	<description>Independent Feature Project Chicago (IFP Chicago) is the comprehensive resource for nurturing successful, empowered Emerging Midwestern Filmmakers.</description>
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		<title>Donate To Productions By IFP/Chicago Members!</title>
		<link>http://www.ifpchicago.org/donate-to-productions-by-ifpchicago-members/</link>
		<comments>http://www.ifpchicago.org/donate-to-productions-by-ifpchicago-members/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 20:02:52 +0000</pubDate>
		<dc:creator>Ryan</dc:creator>
				<category><![CDATA[Fiscal Sponsorship]]></category>

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		<description><![CDATA[Below you will find the current projects IFP/Chicago serves as a Fiscal Sponsor for.  Please click on the button which corresponds to the film you would like to donate to.  For more information about the Fiscal Sponsorship Program, please scroll down.

Louder Than A Bomb

 
A Documentary by Greg Jacobs &#38; Jon Siskel
Louder Than a Bomb [...]]]></description>
			<content:encoded><![CDATA[<p>Below you will find the current projects IFP/Chicago serves as a Fiscal Sponsor for.  Please click on the button which corresponds to the film you would like to donate to.  For more information about the Fiscal Sponsorship Program, please scroll down.<br />
<br/><br />
<a href="http://www.siskeljacobs.com/louder-than-a-bomb.php"><em><strong>Louder Than A Bomb<br />
</strong></em></a></p>
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<p><strong>A Documentary by Greg Jacobs &amp; Jon Siskel</strong></p>
<p><em>Louder Than a Bomb</em> is a film about passion, competition,  teamwork, and trust. It&#8217;s about the joy of being young, and the pain of  growing up. It&#8217;s about speaking out, making noise, and finding your  voice.</p>
<p>It also just happens to be about poetry.</p>
<p>A documentary feature intended for theatrical release, <em>Louder  Than a Bomb</em> tells the stereotype-confounding stories of four  Chicago-area high school poetry teams as they prepare for and compete in  the world&#8217;s largest youth slam. By turns hopeful and heartbreaking, the  film captures the tempestuous lives of these exceptional kids,  exploring the ways writing shapes their world, and vice versa. This is  not “high school poetry” as we often think of it. This is language as a  joyful release, irrepressibly talented teenagers obsessed with making  words dance. Set against the backdrop of Barack Obama&#8217;s historic primary  campaign, <em>Louder Than a Bomb</em> paints a powerful and timely  portrait of the Obama generation, from the heart of the president&#8217;s  hometown.</p>
<p>Louder Than a Bomb had its world premiere at the Cleveland  International Film Festival in March 2010, where it won both the Roxanne  T. Mueller Audience Choice Award for best film and the Greg Gund  Memorial Standing Up Film Competition for films that celebrate social  justice and activism. For more information, contact <a title="Contact Us" href="mailto:ltab@siskeljacobs.com">ltab@siskeljacobs.com</a><br />
<br/><br />
<a href="http://web.mac.com/ronfalzone/Site/Typing..html"><em><strong>Typing<br />
</strong></em></a></p>
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<p><strong>Director &#8211; Jack C. Newell<br />
Writer &#8211; Ron Falzone<br />
Producer &#8211; Ron Falzone &amp; Jack C. Newell</strong></p>
<p>Typing is the story of what happens when the creative process crashes head first into the wall of stereotypes and clichés.  It features writer/actor/comedy legend Tim Kazurinsky and Steppenwolf ensemble member Francis Guinan as two tired MGM screenwriters forced into the impossible task of having to write a Robert Montgomery movie that features sex, adventure and a dog.<br />
<br/><br />
<em><strong><a href="http://www.postales-themovie.com/">Postales</a></strong></em></p>
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<p><strong>Writer/Director &#8211; Josh Hyde<br />
Producer &#8211; Claire Connelly,  Maxi Holland,  Dan Fischer, and P.J. Fishwick </strong></p>
<p>In the ancient cobblestone streets, of Cuzco, Peru,  11-year-old Pablo sells postcards to tourists in the town square, and  his brother, Jano, lives a life of petty crime to help their family  survive. Pablo’s world turns upside down when he encounters Mary, who  unbeknownst to him is the daughter of an American businessman planning  to develop the land on which his family lives.</p>
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<p>When told they will be forced to leave their  longtime home, Jano swears vengeance, and convinces his younger brother  to help him rob the American. After the crime, Pablo shockingly  discovers a photograph of Mary in the victim’s wallet. He vows to right  this wrong by finding Mary and giving it back.</p>
<p>After locating Mary a couple of days later,  Pablo convinces her to sneak away with him to explore the Inca ruins.  While searching for Mary, her distraught parents return to their hotel  only to find Elizabeth in bed with Jano, the boy who robbed her father.  After a scuffle, Mary appears in the hotel room with her father’s  wallet.</p>
<p>As the Americans prepare to depart Cuzco, and  the Peruvian family packs to leave their home, both families are  irreversibly altered by their contact with the other.</p>
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		<title>IFP/Chicago&#8217;s Fiscal Sponsorship Program!</title>
		<link>http://www.ifpchicago.org/ifpchicagos-fiscal-sponsorship-program/</link>
		<comments>http://www.ifpchicago.org/ifpchicagos-fiscal-sponsorship-program/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 19:37:47 +0000</pubDate>
		<dc:creator>Ryan</dc:creator>
				<category><![CDATA[Fiscal Sponsorship]]></category>

		<guid isPermaLink="false">http://www.ifpchicago.org/?p=636</guid>
		<description><![CDATA[Many individuals, foundations, corporations or governmental organizations restrict funding of independent projects to tax-exempt organizations. To address this situation, IFP/Chicago (an established tax-exempt public charity under section 501(c)(3) of the Internal Revenue Code) has created the IFP/Chicago Fiscal Sponsorship Program. The Fiscal Sponsorship program at IFP/Chicago has been designed to assist media artists who are [...]]]></description>
			<content:encoded><![CDATA[<p>Many individuals, foundations, corporations or governmental organizations restrict funding of independent projects to tax-exempt organizations. To address this situation, IFP/Chicago (an established tax-exempt public charity under section 501(c)(3) of the Internal Revenue Code) has created the IFP/Chicago Fiscal Sponsorship Program. The Fiscal Sponsorship program at IFP/Chicago has been designed to assist media artists who are members of IFP/Chicago seeking grants and/or contributions from sources which require a federal exempt tax status, i.e., a non-profit organizational status. For individual contributors, this arrangement allows for charitable contribution deductions on federal tax returns. Selected projects will be allowed to use IFP/Chicago&#8217;s federal exempt tax status to individuals under the following conditions:</p>
<p>•Applicant must be a Member of IFP/Chicago in good standing;<br />
•The project must be noncommercial in nature;<br />
•The individual media artist must sign a contract with IFP/Chicago which states the artist guarantees grant monies received will be used for the purpose intended; that artist will be responsible for fines, return of grant monies, etc. if grant is rescinded or the IRS questions the accounting for the grant monies; and that artist will be responsible for any final reports and accounting to the granting agency.<br />
•Artist agrees to credit IFP/Chicago on project being served.</p>
<p>Once the IFP/Chicago Fiscal Sponsorship Program accepts your project, donors may make tax-deductible contributions to IFP/Chicago, requesting that the funds be applied toward your project. IFP/Chicago will make its various programs available to you, monitor your project to ensure that the project advances IFP/Chicago&#8217;s charitable and educational purposes and disburse the contributions received, minus the fee. You will be responsible for providing IFP/Chicago with periodic reports of the status of your project and the use of the funds.</p>
<p>IFP/Chicago does not control the content of the project and is not connected, in any way, to the actual production of your project. All right, title and interest in and to the completed project belongs to the filmmaker allowing them complete artistic and creative control.</p>
<p>Download the <a href="http://www.ifpchicago.org/ifp/wp-content/uploads/fiscal-sponsorship-app.pdf">Fiscal Sponsorship Application</a>!</p>
<p>Questions about Fiscal Sponsorship?  <a href="mailto:chicago@ifp.org">Email us!</a></p>
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